This article investigates how the TV series Mad Men portrays the Fifties through the lens of self-reflexive nostalgia. Focusing on a close reading of its first season, I look at how Mad Men’s self-awareness towards the function of images and advertising in the creation of the Fifties as a cultural construct is often complicated by its nostalgic and conservative politics
Here, I argue that the hybrid serial form is significant in the way Mad Men chooses to tell its vers...
Throughout the 1970s and 1980s, Hollywood studios churned out film after film that sought to recaptu...
© 2019 Grace Simone TorcasioThe first decade of the twenty-first century saw a proliferation of masc...
Mad Men utilizes television, quotes television and contemplates and negotiates its role, to the exte...
To say that Mad Men exhibits some ambivalence toward Don Draper as a character anyone might admire o...
The article examines how old imaging technologies figure in AMC's Mad Men, including the Kodak slide...
Donald Draper as a Philosopher of Nostalgia. In contemporary media studies, the TV series Mad Men ha...
The neoliberal cultural mode of postmodernity reduces history to a set of discourses with the concom...
This article explores crucial concepts of Stanley Cavell's moral perfectionism by asking: what does ...
Memories by Mad Men: Cultural Memory, Television, and early 1960s Domesticity, is an interdisciplina...
As an epitome of postmodern television, Mad Men engages in narrative breaks, non-linear storytelling...
For seven seasons, viewers worldwide watched as ad man Don Draper moved from adultery to self-discov...
As a popular contemporary text, the appeal of cable television\u27s Mad Men (AMC) lies in its capaci...
This article focuses on one scene from the episode entitled “The Wheel”, in which a machine allows t...
Book chapter AMC’s Mad Men and the Politics of Nostalgia from Media and Nostalgia: Yearning for th...
Here, I argue that the hybrid serial form is significant in the way Mad Men chooses to tell its vers...
Throughout the 1970s and 1980s, Hollywood studios churned out film after film that sought to recaptu...
© 2019 Grace Simone TorcasioThe first decade of the twenty-first century saw a proliferation of masc...
Mad Men utilizes television, quotes television and contemplates and negotiates its role, to the exte...
To say that Mad Men exhibits some ambivalence toward Don Draper as a character anyone might admire o...
The article examines how old imaging technologies figure in AMC's Mad Men, including the Kodak slide...
Donald Draper as a Philosopher of Nostalgia. In contemporary media studies, the TV series Mad Men ha...
The neoliberal cultural mode of postmodernity reduces history to a set of discourses with the concom...
This article explores crucial concepts of Stanley Cavell's moral perfectionism by asking: what does ...
Memories by Mad Men: Cultural Memory, Television, and early 1960s Domesticity, is an interdisciplina...
As an epitome of postmodern television, Mad Men engages in narrative breaks, non-linear storytelling...
For seven seasons, viewers worldwide watched as ad man Don Draper moved from adultery to self-discov...
As a popular contemporary text, the appeal of cable television\u27s Mad Men (AMC) lies in its capaci...
This article focuses on one scene from the episode entitled “The Wheel”, in which a machine allows t...
Book chapter AMC’s Mad Men and the Politics of Nostalgia from Media and Nostalgia: Yearning for th...
Here, I argue that the hybrid serial form is significant in the way Mad Men chooses to tell its vers...
Throughout the 1970s and 1980s, Hollywood studios churned out film after film that sought to recaptu...
© 2019 Grace Simone TorcasioThe first decade of the twenty-first century saw a proliferation of masc...